°ÄÃÅÁùºÏ²Ê¿ª½±½á¹û

Image of Time here becomes space by Cerith Wyn Evans
Cerith Wyn Evans, Time here becomes space. Photo © Dr Jim Roseblade

2007 Sculpture in the Close Exhibition

The tenth in the series of the biennial exhibitions of contemporary British sculpture was held in the grounds of °ÄÃÅÁùºÏ²Ê¿ª½±½á¹û during July and August 2007.

The show included works by Claire Barclay, Christine Borland, John Gibbons, Roger Hiorns, Marc Quinn, Bill Woodrow, and Cerith Wyn Evans. 

For further information please contact the Curator of Works of Art at curator-of-art@jesus.cam.ac.uk.

Foreword

The Master and Fellows of °ÄÃÅÁùºÏ²Ê¿ª½±½á¹û are delighted once again to host Sculpture in the Close. In so doing we acknowledge our gratitude to Lord Renfrew, who so imaginatively launched this concept during his Mastership, and we celebrate the fact that this year’s exhibition is the tenth in the series.

°ÄÃÅÁùºÏ²Ê¿ª½±½á¹û is known throughout Cambridge, and indeed beyond, for these marvellous exhibitions of contemporary sculpture. The generosity of the sculptors in lending their work for this exhibition is gratefully acknowledged. Several galleries and organisations have also given invaluable advice and assistance, especially White Cube, Corvi-Mora, The Lisson Gallery, Waddington’s, and Sculpture at Goodwood.

The works of art committee of the College led by the Curator, Rod Mengham, has been responsible for mounting this exhibition, working closely with its advisors, Tim Marlow and Richard Humphreys, and with the gardens committee, chaired by Dr David Hanke.

Considerable assistance was provided by the Domestic Bursar, Martin Collins, the Buildings Manager, Alan Fosbeary, the Head Gardener, Paul Stearn, and our Maintenance Supervisors, Chris Brown and Peter Moore.

We are grateful for continued help from the Royal & Sun Alliance Insurance Company. And it is more than ever the case that the works of art committee could not continue to keep modern art so vigorously on the agenda at Jesus without the help of the contributors to the appeal run by the Friends of Art of °ÄÃÅÁùºÏ²Ê¿ª½±½á¹û. We are most grateful to all those who have supported this appeal.

Robert Mair
Master

Also in this section:

Glowing Promise by Claire Barclay

Claire Barclay

Claire Barclay is an artist whose work seems often to hover between the categories of sculpture and installation.

Claire Barclay
Support Work by Christine Borland

Christine Borland

Christine Borland's work concerns the history of medicine and how it has influenced the way we understand the human body.

Christine Borland
Presence (Wait) by John Gibbons

John Gibbons

Two of the works that John Gibbons has included come from the Presence series of brooding metal orthostats.

John Gibbons
Untitled silver by Roger Hiorns

Roger Hiorns

Many of Hiorns’ sculptures demand more than a merely visual exercise, they tug at our other senses.

Roger Hiorns
Lounging Figure (Rabbit) by Marc Quinn

Marc Quinn

Marc Quinn’s Flesh series, from which these three works are taken, is firmly in the tradition of Ovid’s Metamorphoses.

Marc Quinn
Rockswarm by Bill Woodrow

Bill Woodrow

Many of Bill Woodrow's sculptures feature representations of books, an apt choice for an institution dedicated to research and learning.

Bill Woodrow
Time here becomes space by Cerith Wyn Evans

Cerith Wyn Evans

Cerith Wyn Evans' work is an expanding oeuvre with the character of a constellation, a restless, changing configuration of lightworks.

Cerith Wyn Evans

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